Most moving heads in 3D scenes look like props. We spent years running real ones from the console, so we modelled ours the way a lighting operator sees it: real proportions, a real optical train, and a beam that behaves like the real thing in the haze.

BUILT FOR REALISM• Measured, not guessed: modelled from a real 250 W hybrid moving head, proportions measured from photographs. 56 cm tall, real-world scale in metres.• A real optical train: LED engine, collimator, colour wheel with dichroic filter, gobo wheel, frost, zoom and focus lenses, and a coated front lens.• A lens that reads lit: the front lens glows in the beam colour, brighter on axis.• Rig-ready: omega brackets with quarter-turn fasteners and a safety eyelet. Hang it upside down and the display flips by itself; the printed panel doesn't, just like on a real fixture.

DRIVE IT LIKE A CONSOLEEverything is driven from one control object, with the channels you already know. Keyframe them like cues:Dimmer · Pan 540° · Tilt 240° · Zoom 4–40° · Focus · Frost · Gobo · Gobo rotation · Color · Color 2 · Split• Tighter zoom, brighter beam: the light concentrates as the angle closes.• 5 projected gobos plus open (dots, triangles, flower, rings, foliage), with rotation. They cut real rays through the haze and land sharp on the floor.• Two-colour split: park the colour wheel between two slots and the beam splits, half and half.• Pan and tilt never touch the fixture's placement in your scene.

WHAT'S INCLUDED• PLAGALYS_Moving_Head_S250.blend – the fixture alone, ready to append: one parent object, origin on the floor, facing -Y, textures and gobos packed.• PLAGALYS_Moving_Head_S250_Demo.blend – the demo scene from our videos: F34 truss portal with half-couplers and safety cable, haze, black box, camera, automatic lens flare when the beam hits the camera, and a 25-second animated show (600 frames, 24 fps).• README with every channel explained.