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lion","price":40.0,"description":"The Achaemenid Persian Lion Rhyton (in Persian: \"تکوک شیر غران\") is an ancient artifact related to Achaemenians.\n\n\nPersia - Achaemenian Vessels\nA rhyton is a kind of vessel which normally terminates in the shape of an animal's head or horns. These vessels were common in the Near East and ancient Greece. \n\nEarly Iranians used rhyta with an animal head at the end of the vessel; later in the Achaemenid period the animal part of the rhyton was usually located in front of it and at a 90 degree angle to the vessel.\n\nThe rhyton was created in circa 500 B.C by some estimates. It is 6.7 in. height (about 17 cm.) and is constructed entirely from gold. The different parts of the artefact are joined together by soldering, done so skilfully as to leave no obvious marks.\n\nThis lion head creature was found by Fletcher Fund in 1954 in southwest Persia and is now located in the Metropolitan Museum of Art in New York City, United States. \nBattle of Shahriar (Achaemenid king) and Lion, \"Confrontation between Shahriar and Lion\" or \"Shah's battle with lion\", winged ox, Griffin, and winged \nlion refers to rock carvings in three palaces of Persepolis, especially the Palace of 100 Columns, which belongs to the transition period of the warrior-ship community in the era of Darius I until the no-war time of Xerxes I were made to represent him as a constructive and disciplinary king.\n\nIn the rule of the Achaemenids and from the era of Xerxes, the image of the Shahriar is seen in opposition to supernatural beings and beasts. At the same time, with the reign of his arrival, there were riots in the country, the defeat of Persians from Greece and the insurrections that took place in Babylon and Egypt. Shahriyar made the second half of his rule in the country and played the role of the representative of the goddesses to maintain peace and tranquility in the affairs of the country.\n\n\nCraving of Battle of Shahriar and Griffin\nThe Achaemenid history shows that it has never been culturally seeking to unify its domains and territories; that is, did not try to unify language, religion, and worship, but it was exercising its power in different ways, one of which is the representation of images as a tool for expressing the will of power and the question of the legitimacy of their use. In fact, cognitive and imaginative analyzes show that inscriptions and representations impose and transmit the image of power. Artists and industrialists who worked in different workshops did not have freedom to create artistic creation; they had to follow the exact guidelines of the great king's advisers.\n\nFrom the inscriptions from the Xerxes period on the Gate of Nations, the Apadana stairs and the Southern Porch, the Tachara Palace and the Northern Porch, the Hadish palace and the stone tablets of the harem, the legitimacy of Ahura Mazda is seen as a constructive and regulating landowner in the community.\n\nIn the inscription of the Divan (Devils), which is one of the most important inscriptions of the period of Xerxes, it is written: \"Ahuramazda helped me to defeat this land and restore order to him, and among these lands there was a place in which They replaced the past of the worship of the demons, after which I destroyed the divine sanctuary by the power of Ahuramazda ... \"\n\nIn the carvings of this period, there have also been developments that can be seen in the increase of animal and combination designs, the designs of the Gate of Nations, the winged ox with a human head (Lamassu), the repetition of the carvings of the cow hunting by lion and the repetition and emphasis of the Shahriar battle designs with the combined animals and evils have been seen since this period. Some scholars believe that these designs influenced by the Assyrian palaces were inspired by artists who serves in Persian palaces, and the township that had been defeated far beyond its territory compensated for defeat in the internal fence of the realm.\n","imageAlt":"Achaemenid lion 3D printable model woman-statue","url":"https://www.cgtrader.com/3d-print-models/jewelry/ring/achaemenid-lion","isCLDApplicable":false,"isSaleOffApplicable":true,"gaAttributes":{},"primaryImage":{"gridFallbackUrl":"https://media.cgtrader.com/variants/10b2ta9f1licu0kcsfh6fs0svtrp/a26e47dab5f2d22c43d6c5ce4b4b46ecc30c70918878397cba1a10c1e35d7bfc/unnamed%20%2825%29.jpg","gridUrl":"https://media.cgtrader.com/variants/10b2ta9f1licu0kcsfh6fs0svtrp/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/unnamed%20%2825%29.webp","isAdultContent":false},"modelInfo":{"modelUrl":"https://www.cgtrader.com/3d-print-models/jewelry/ring/achaemenid-lion","isCgtVerified":false,"types":{"printReady":true,"animated":false,"pbr":false,"rigged":false,"lowPoly":false}},"metaverseFormatsList":[{"id":5,"name":".fbx","is_native":false},{"id":12,"name":".obj","is_native":false},{"id":13,"name":".3dm","is_native":false},{"id":2,"name":".3ds","is_native":false},{"id":7,"name":".dxf","is_native":false},{"id":14,"name":".skp","is_native":false},{"id":51,"name":".stl","is_native":false}],"categorySlug":"jewelry","subcategorySlug":"ring","categoryTitle":"Jewelry","subcategoryTitle":"Rings","schemaImageUrl":"https://img-new.cgtrader.com/items/3020079/cd334d5587/achaemenid-lion-3d-model-cd334d5587.webp","saleOffDiscount":70,"eligibleForSubscription":false,"subscriptionSubscribed":false,"subscriptionPotential":false}},{"id":"3589647","type":"listingItem","attributes":{"id":3589647,"title":"Kingdom ring - Achaemenid ring for men ","price":29.0,"description":"3D model of Achaemenid ring\n\n\nAll sizes, including the size of the stones, dimensions of the model, weight, model, size of the ring are included in the photos.\n\n\nring size : 61(european).If you need another size, i can help you\n\n\nFile format: stl,3ds,dxf,3dm,fbx,obj,skp\n\n\n- weight: \n\n\ngold 10ky:12.2  gr\n\n\ngold 14ky:13.7 gr\n\n\ngold 18ky:16.4 gr \n\n\nsilver :11 gr\n\n\n\nSTL file has been fixed and ready for the print \n\n\nThe 3dm file is not suitable for printing and I just provided it for you to make changes.but the rest of the files are ready to print\n\n\nIf you need to make little changes to this model I'll do it for you no extra charge.\n\n\nThank you for purchase. \n","imageAlt":"3D print model Kingdom ring - Achaemenid ring for men","url":"https://www.cgtrader.com/3d-print-models/jewelry/ring/kingdom-ring-achaemenid-ring-for-men","isCLDApplicable":false,"isSaleOffApplicable":true,"gaAttributes":{},"primaryImage":{"gridFallbackUrl":"https://media.cgtrader.com/variants/JRmjxygKrwdGbK28x7eHtdYZ/a26e47dab5f2d22c43d6c5ce4b4b46ecc30c70918878397cba1a10c1e35d7bfc/16.jpg","gridUrl":"https://media.cgtrader.com/variants/JRmjxygKrwdGbK28x7eHtdYZ/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/16.webp","isAdultContent":false},"modelInfo":{"modelUrl":"https://www.cgtrader.com/3d-print-models/jewelry/ring/kingdom-ring-achaemenid-ring-for-men","isCgtVerified":false,"types":{"printReady":true,"animated":false,"pbr":false,"rigged":false,"lowPoly":false}},"metaverseFormatsList":[{"id":14,"name":".skp","is_native":false},{"id":5,"name":".fbx","is_native":false},{"id":13,"name":".3dm","is_native":false},{"id":2,"name":".3ds","is_native":false},{"id":12,"name":".obj","is_native":false},{"id":51,"name":".stl","is_native":false},{"id":7,"name":".dxf","is_native":false}],"categorySlug":"jewelry","subcategorySlug":"ring","categoryTitle":"Jewelry","subcategoryTitle":"Rings","schemaImageUrl":"https://img-new.cgtrader.com/items/3589647/9d15faa7cd/kingdom-ring-achaemenid-ring-for-men-3d-model-9d15faa7cd.webp","saleOffDiscount":70,"eligibleForSubscription":false,"subscriptionSubscribed":false,"subscriptionPotential":false}},{"id":"3354918","type":"listingItem","attributes":{"id":3354918,"title":"Achaemenid cow statue","price":14.0,"description":"- **Persepolis column capital**\n\n- pendant dimensions: X = 17.5, y = 10.8, z=3 mm\n\n\n- pendant weight: gold 18ky:2.7 gr, silver : 1.8  gr\n\n\n- **File format**: st l, 3ds ,3dm , fbx , obj , skp , dxf\n\n\n- If you want to reduce the dimensions of the model, I will be happy to help you\n\n\n- STL file has been fixed and ready for the print \n\n\n- The 3dm file is not suitable for printing and I just provided it for you to make changes, but the rest of the files are ready to print\n\n\n- If you need to make little changes to this model I'll do it for you no extra charge.\n\n\n- If you have any questions I will be happy to answer them\n\n- If you are satisfied with the model, polish the model and rate it. Thank you\n\n- In the continuation of Rajab, you will read this article.I want you to know its history for more interaction. To become more familiar with this model and better understand it.\n\n\nPersian columns or Persepolitan columns are the distinctive form of column developed in the Achaemenid architecture of ancient Persia, probably beginning shortly before 500 BCE. They are mainly known from Persepolis, where the massive main columns have a base, fluted shaft, and a double-animal capital, most with bulls.Achaemenid palaces had enormous hypostyle halls called apadana, which were supported inside by several rows of columns. The Throne Hall or \"Hall of a Hundred Columns\" at Persepolis, measuring 70 × 70 metres was built by the Achaemenid king Artaxerxes I. The apadana hall is even larger. These often included a throne for the king and were used for grand ceremonial assemblies; the largest at Persepolis and Susa could fit ten thousand people at a time.\n\nThe Achaemenids had little experience of stone architecture, but were able to import artists and craftsmen from around their empire to develop a hybrid imperial style drawing on influences from Mesopotamia, Egypt and Lydia in Anatolia, as well as Elam in Persia itself. The style was probably developed in the Palace of Darius in Susa, but the most numerous and complete survivals are at Persepolis, where several columns remain standing.Imperial building in the style stopped abruptly with the invasion by Alexander the Great in 330 BCE, when Persepolis was burned down.\n\nThe forms of the columns and capitals vary somewhat between different buildings. Generally the capitals are carved with two heavily decorated back-to-back animals projecting out from the column. These function as brackets to support the architrave or roof timbers, while the flat backs of the animals support timbers running at right angles (see the reconstruction in the Louvre below). As they project the animals may be called protomes. The bull is the most common animal, but there are also lions, bulls with the head of a man in the style of the Assyrian lamassu, and griffins with the heads of eagles and the bodies of lions.\n\nThe bulls and lions may reflect the symbolism around Nowruz, the Persian New Year at the spring equinox, of an eternally fighting bull personifying the moon, and a lion personifying the Sun. This was the day when tributary nations presented their annual tribute to the king, as depicted in the stairway reliefs at Persepolis, and it has been suggested that Persepolis was specifically built for Nowruz celebrations.\n\nThe capital is much longer than in most other styles of columns. While some smaller columns move quickly from the animals to the plain shaft below, the largest and grandest examples have a long intervening section with double volutes at the top and, inverted, at the bottom of a long fluted square zone, although the shaft of the column is round. At the top of the round fluted shaft are two sections with a loosely plant-based design, the upper a form of \"palm capital\", spreading as it rises, and the lower suggesting leaves drooping downwards. Other capitals have the animals and the two lower plant-based elements, but not the section in between with the volutes; the example in Chicago is of this type. There are various small mouldings between the various elements, reflecting a Greek style. The horns and ears of the animals are often separate pieces, fitting into the head by square plugs. The columns were polished and at least the capitals were painted, in the case of wooden ones on a plaster coating. The style reflects influences from the many cultures that the Persian Empire conquered including Egypt, Babylon, and Lydia, as well as Greece, where the Persians had only temporary success; the final result is distinctively Persian.\n\nIt is thought the stone columns that survive were preceded by wooden versions, and these continued to be used. The move to stone may have come when sufficiently large trees for the biggest buildings became difficult or impossible to source. The column shafts can be as tall as 20 metres. The base is in stone even for wooden columns, and sometimes carries an inscription saying which king erected the building. Most are round, but an early square type has two steps.\nThe full form of Persian column seems only to have been used at a few sites outside Persia around the empire in the Achaemenid period, in Armenia and even Levantine colonies in Iberia. The columns influenced the Pillars of Ashoka erected in India some 80 years after Alexander the Great destroyed the Persian Empire, and other imperial buildings in the architecture of the Maurya Empire. The much smaller Mathura lion capital of the 1st century CE shows clear influence. They can be seen in relief decoration around Buddhist stupas in Gandhara in the 2nd or 3rd century CE, and Persian columns decorate the Karla Caves.and Nasik Caves. The style did not develop in Persia itself, but elements continued to appear under later dynasties before the arrival of Islam.","imageAlt":"3D printable model Achaemenid cow 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