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Moreover, those interested in 3D modelling and printing can use these models to create intricate and realistic representations of this fascinating anatomical structure.\n\nFormats available: obj, stl, dae, glb\n\nSeparate structures: cartilage joints, femur, iliac artery branches, intervertebral discs, L3, L4, L5, lumbosacral plexus, ovaries, pelvis, rectum, sacrum, uterus and tubes, vulva\n\nVerts:  678,9K\nTris 1M\n\nShort YT video: \nhttps://www.youtube.com/watch?v=iVtKoENuUhw","imageAlt":"3D Model of Pelvis and Blood Supply","url":"https://www.cgtrader.com/3d-print-models/science/biology/3d-model-of-pelvis-and-blood-supply-d11aa69e-8b16-4450-9849-afd767f7676a","isCLDApplicable":false,"isSaleOffApplicable":false,"gaAttributes":{},"primaryImage":{"gridFallbackUrl":"https://media.cgtrader.com/variants/uamyDga9xAgahQMGzEXf48n7/a26e47dab5f2d22c43d6c5ce4b4b46ecc30c70918878397cba1a10c1e35d7bfc/1.jpg","gridUrl":"https://media.cgtrader.com/variants/uamyDga9xAgahQMGzEXf48n7/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/1.webp","gridCandidates":[{"url":"https://media.cgtrader.com/variants/uamyDga9xAgahQMGzEXf48n7/6a314ee64365e9a50cc847b264c0df438901d553e153606f3b641b8e48cb207e/1.webp","width":306},{"url":"https://media.cgtrader.com/variants/uamyDga9xAgahQMGzEXf48n7/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/1.webp","width":612},{"url":"https://media.cgtrader.com/variants/uamyDga9xAgahQMGzEXf48n7/fc2d80458320aed4ba722745705c02fa7f690497f6e3961b946cdf20c88a8c12/1.webp","width":918}],"isAdultContent":false},"modelInfo":{"modelUrl":"https://www.cgtrader.com/3d-print-models/science/biology/3d-model-of-pelvis-and-blood-supply-d11aa69e-8b16-4450-9849-afd767f7676a","isCgtVerified":false,"types":{"printReady":true,"animated":false,"pbr":false,"rigged":false,"lowPoly":false}},"metaverseFormatsList":[{"id":12,"name":".obj","is_native":false},{"id":117,"name":".gltf","is_native":false},{"id":51,"name":".stl","is_native":false},{"id":5,"name":".fbx","is_native":false},{"id":25,"name":".dae","is_native":false}],"categorySlug":"science","subcategorySlug":"biology","categoryTitle":"Science","subcategoryTitle":"Biology","schemaImageUrl":"https://img-new.cgtrader.com/items/4495512/c0d17e2f8e/3d-model-of-pelvis-and-blood-supply-3d-model-c0d17e2f8e.webp","saleOffDiscount":0,"eligibleForSubscription":false,"subscriptionSubscribed":false,"subscriptionPotential":false,"subscriptionTierBand":null}},{"id":"2310047","type":"listingItem","attributes":{"id":2310047,"title":"Lover Necklace Pendant 5","price":3.0,"description":"Two lovers mood pendant necklace ready for 3D print.\n\nWIKI\n\nOrigins of symbol\nHeart-shaped peepal leaves were used in artistic depictions of the Indus Valley Civilisation: a heart pendant originated from there has been discovered and is now exhibited in Delhi national museum.[citation needed] In the 6th-5th century BC, the heart shape was used to represent the heart-shaped fruit of the plant Silphium,[1] a plant possibly used as a contraceptive.[2] Many species in the parsley family have estrogenic properties, and some, such as wild carrot, were used to induce abortion.[3] Silver coins from Cyrene of the 6–5th BC bear a similar design, sometimes accompanied by a silphium plant and is understood to represent its seed or fruit.[4]\n\nEarliest use\n\nThe earliest known possible visual depiction of a heart symbol, as a lover hands his heart to the beloved lady, in a manuscript of the Roman de la poire, mid-13th century.\nThe combination of the heart shape and its use within the heart metaphor developed at the end of the Middle Ages, although the shape has been used in many ancient epigraphy monuments and texts. With possible early examples or direct predecessors in the 13th to 14th century, the familiar symbol of the heart represented love developed in the 15th century, and became popular in Europe during the 16th.[5] Before the 14th century, the heart shape was not associated with the meaning of the heart metaphor. The geometric shape itself is found in much earlier sources, but in such instances does not depict a heart, but typically foliage: in examples from antiquity fig leaves, and in medieval iconography and heraldry typically the leaves of ivy and of the water-lily. One possible early use in the 11th century could be found in the manuscript, Al-Maqamat written by Al Hariri of Basra. The manuscript includes an illustration of a farewell greeting between two men while astride their camels, with the heart shape seen prominently over their heads.[6][not in citations given]\n\nThe first known depiction of a heart as a symbol of romantic love dates to the 1250s. It occurs in a miniature decorating a capital 'S' in a manuscript of the French Roman de la poire (National Library FR MS. 2086, plate 12). In the miniature a kneeling lover (or more precisely, an allegory of the lover's \"sweet gaze\" or douz regart) offers his heart to a damsel. The heart here resembles a pine cone (held \"upside down\", the point facing upward), in accord with medieval anatomical descriptions. However, in this miniature what suggests a heart shape is only the result of a lover's finger superimposed on an object; the full shape outline of the object is partly hidden, and therefore unknown. Moreover, the French title of the manuscript that features the miniature translates into \"Novel Of The Pear\" in English. Thus the heart shaped object would be a pear; the conclusion that a pear represents a heart is dubious. Opinions therefore differ over this being the first depiction of a heart as symbol of romantic love.[7] Giotto in his 1305 painting in the Scrovegni Chapel (Padua) shows an allegory of charity (caritas) handing her heart to Jesus Christ. This heart is also depicted in the pine cone shape based on anatomical descriptions of the day (still held \"upside down\"). Giotto's painting exerted considerable influence on later painters, and the motive of Caritas offering a heart is shown by Taddeo Gaddi in Santa Croce, by Andrea Pisano on the bronze door of the south porch of the Baptisterium in Florence (c. 1337), by Ambrogio Lorenzetti in the Palazzo Publico in Siena (c. 1340) and by Andrea da Firenze in Santa Maria Novella in Florence (c. 1365). The convention of showing the heart point upward switches in the late 14th century and becomes rare in the first half of the 15th century.[7]\n\nThe \"scalloped\" shape of the now-familiar heart symbol, with a dent in its base, arises in the early 14th century, at first only lightly dented, as in the miniatures in Francesco Barberino's Documenti d'amore (before 1320). A slightly later example with a more pronounced dent is found in a manuscript from the Cistercian monastery in Brussels (MS 4459–70, fol 192v. Royal Library of Belgium). The convention of showing a dent at the base of the heart thus spread at about the same time as the convention of showing the heart with its point downward.[8] The modern indented red heart has been used on playing cards since the late 15th century.[9]\n\nVarious hypotheses attempted to connect the \"heart shape\" as it evolved in the Late Middle Ages with instances of the geometric shape in antiquity.[10] Such theories are modern, proposed from the 1960s onward, and they remain speculative, as no continuity between the supposed ancient predecessors and the late medieval tradition can be shown. Specific suggestions include: the shape of the seed of the silphium plant, used in ancient times as a(n) herbal contraceptive,[10][11] and stylized depictions of features of the human female body, such as the female's breasts, buttocks, pubic mound, or spread vulva.[12]","imageAlt":"3D printable model Lover Necklace Pendant 5","url":"https://www.cgtrader.com/3d-print-models/jewelry/pendant/lover-necklace-pendant-5","isCLDApplicable":false,"isSaleOffApplicable":true,"gaAttributes":{},"primaryImage":{"gridFallbackUrl":"https://media.cgtrader.com/variants/yjLhwW7WrzimcqGH2reE7XGz/a26e47dab5f2d22c43d6c5ce4b4b46ecc30c70918878397cba1a10c1e35d7bfc/1.jpg","gridUrl":"https://media.cgtrader.com/variants/yjLhwW7WrzimcqGH2reE7XGz/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/1.webp","gridCandidates":[{"url":"https://media.cgtrader.com/variants/yjLhwW7WrzimcqGH2reE7XGz/6a314ee64365e9a50cc847b264c0df438901d553e153606f3b641b8e48cb207e/1.webp","width":306},{"url":"https://media.cgtrader.com/variants/yjLhwW7WrzimcqGH2reE7XGz/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/1.webp","width":612},{"url":"https://media.cgtrader.com/variants/yjLhwW7WrzimcqGH2reE7XGz/fc2d80458320aed4ba722745705c02fa7f690497f6e3961b946cdf20c88a8c12/1.webp","width":918}],"isAdultContent":false},"modelInfo":{"modelUrl":"https://www.cgtrader.com/3d-print-models/jewelry/pendant/lover-necklace-pendant-5","isCgtVerified":false,"types":{"printReady":true,"animated":false,"pbr":false,"rigged":false,"lowPoly":false}},"metaverseFormatsList":[{"id":21,"name":".blend","is_native":true},{"id":5,"name":".fbx","is_native":false},{"id":51,"name":".stl","is_native":false},{"id":12,"name":".obj","is_native":false}],"categorySlug":"jewelry","subcategorySlug":"pendant","categoryTitle":"Jewelry","subcategoryTitle":"Pendants","schemaImageUrl":"https://img-new.cgtrader.com/items/2310047/5c75b779c5/lover-necklace-pendant-5-3d-model-5c75b779c5.webp","saleOffDiscount":30,"eligibleForSubscription":true,"subscriptionSubscribed":false,"subscriptionPotential":true,"subscriptionTierBand":"essentials"}},{"id":"6219377","type":"listingItem","attributes":{"id":6219377,"title":"Heart pendant","price":25.0,"description":" Heart Pendant with Vulva – A Symbol of Power, Love, and Freedom \n\nTurn heads and spark conversation through art!\n\nThis unique pendant, shaped like a heart with a vulva at the center, is more than just jewelry: it's a bold statement of identity, sensuality, and feminine freedom.\n\nDesigned for those who celebrate the beauty of the body, the sacred feminine, and the power of self-expression. A piece that combines art, empowerment, and exclusive design.\n\n Perfect for those who express their style without fear\n A pendant that unites boldness, elegance, and meaning\n A powerful gift – for someone special or for yourself!\n\nWear your essence. Carry the symbol of your strength close to your heart.\n\n\n3D printing settings\nSlicer Software: CHITUBOX\nLayer Height: 0,05 mm\nBottom Layer Count: 8\nExposure Time: 2,5 s\nBottom Exposure Time: 80 s\nTransition Layer Count: 5\nTransition Type: Linear\nWaiting Mode During Printing: Resting Time\nRest Time Before Lift: 0 s\nRest Time After Lift: 0 s\nRest Time After Retract: 0,5 s\n\nOr\n\nSlicer: Creality Print\n• Quality:\nlayer height = 0.2 mm\n• Seam:\nseam position = aligned\n• Walls and surfaces:\nOnly one wall on top surfaces = yes\nOnly one wall on first layer = no\n• Strength:\nwall loops = 2\n• Infill:\nsparse infill density = 15%\n• Support:\ntype = tree\n• Material:\ntemperature = 210 ºC\nplate = 50 ºC","imageAlt":"Heart pendant 3D print model 3d jewelry","url":"https://www.cgtrader.com/3d-print-models/jewelry/necklace/vulva-heart-pendant","isCLDApplicable":false,"isSaleOffApplicable":false,"gaAttributes":{},"primaryImage":{"gridFallbackUrl":"https://media.cgtrader.com/variants/r3cy6z21ke8e5ndu8okb5wrwo3px/a26e47dab5f2d22c43d6c5ce4b4b46ecc30c70918878397cba1a10c1e35d7bfc/2.jpg","gridUrl":"https://media.cgtrader.com/variants/r3cy6z21ke8e5ndu8okb5wrwo3px/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/2.webp","gridCandidates":[{"url":"https://media.cgtrader.com/variants/r3cy6z21ke8e5ndu8okb5wrwo3px/6a314ee64365e9a50cc847b264c0df438901d553e153606f3b641b8e48cb207e/2.webp","width":306},{"url":"https://media.cgtrader.com/variants/r3cy6z21ke8e5ndu8okb5wrwo3px/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/2.webp","width":612},{"url":"https://media.cgtrader.com/variants/r3cy6z21ke8e5ndu8okb5wrwo3px/fc2d80458320aed4ba722745705c02fa7f690497f6e3961b946cdf20c88a8c12/2.webp","width":918}],"isAdultContent":false},"modelInfo":{"modelUrl":"https://www.cgtrader.com/3d-print-models/jewelry/necklace/vulva-heart-pendant","isCgtVerified":false,"types":{"printReady":true,"animated":false,"pbr":false,"rigged":false,"lowPoly":false}},"metaverseFormatsList":[{"id":51,"name":".stl","is_native":false}],"categorySlug":"jewelry","subcategorySlug":"necklace","categoryTitle":"Jewelry","subcategoryTitle":"Necklaces","schemaImageUrl":"https://img-new.cgtrader.com/items/6219377/93060f371c/heart-pendant-3d-model-93060f371c.webp","saleOffDiscount":0,"eligibleForSubscription":true,"subscriptionSubscribed":true,"subscriptionPotential":false,"subscriptionTierBand":"premium"}},{"id":"2309925","type":"listingItem","attributes":{"id":2309925,"title":"Lover Necklace Pendant 1","price":4.0,"description":"Lover pendant ready for 3D print and production.\n\nWIKI :\n\nOrigins of symbol\nHeart-shaped peepal leaves were used in artistic depictions of the Indus Valley Civilisation: a heart pendant originated from there has been discovered and is now exhibited in Delhi national museum.[citation needed] In the 6th-5th century BC, the heart shape was used to represent the heart-shaped fruit of the plant Silphium,[1] a plant possibly used as a contraceptive.[2] Many species in the parsley family have estrogenic properties, and some, such as wild carrot, were used to induce abortion.[3] Silver coins from Cyrene of the 6–5th BC bear a similar design, sometimes accompanied by a silphium plant and is understood to represent its seed or fruit.[4]\n\nEarliest use\n\nThe earliest known possible visual depiction of a heart symbol, as a lover hands his heart to the beloved lady, in a manuscript of the Roman de la poire, mid-13th century.\nThe combination of the heart shape and its use within the heart metaphor developed at the end of the Middle Ages, although the shape has been used in many ancient epigraphy monuments and texts. With possible early examples or direct predecessors in the 13th to 14th century, the familiar symbol of the heart represented love developed in the 15th century, and became popular in Europe during the 16th.[5] Before the 14th century, the heart shape was not associated with the meaning of the heart metaphor. The geometric shape itself is found in much earlier sources, but in such instances does not depict a heart, but typically foliage: in examples from antiquity fig leaves, and in medieval iconography and heraldry typically the leaves of ivy and of the water-lily. One possible early use in the 11th century could be found in the manuscript, Al-Maqamat written by Al Hariri of Basra. The manuscript includes an illustration of a farewell greeting between two men while astride their camels, with the heart shape seen prominently over their heads.[6][not in citations given]\n\nThe first known depiction of a heart as a symbol of romantic love dates to the 1250s. It occurs in a miniature decorating a capital 'S' in a manuscript of the French Roman de la poire (National Library FR MS. 2086, plate 12). In the miniature a kneeling lover (or more precisely, an allegory of the lover's \"sweet gaze\" or douz regart) offers his heart to a damsel. The heart here resembles a pine cone (held \"upside down\", the point facing upward), in accord with medieval anatomical descriptions. However, in this miniature what suggests a heart shape is only the result of a lover's finger superimposed on an object; the full shape outline of the object is partly hidden, and therefore unknown. Moreover, the French title of the manuscript that features the miniature translates into \"Novel Of The Pear\" in English. Thus the heart shaped object would be a pear; the conclusion that a pear represents a heart is dubious. Opinions therefore differ over this being the first depiction of a heart as symbol of romantic love.[7] Giotto in his 1305 painting in the Scrovegni Chapel (Padua) shows an allegory of charity (caritas) handing her heart to Jesus Christ. This heart is also depicted in the pine cone shape based on anatomical descriptions of the day (still held \"upside down\"). Giotto's painting exerted considerable influence on later painters, and the motive of Caritas offering a heart is shown by Taddeo Gaddi in Santa Croce, by Andrea Pisano on the bronze door of the south porch of the Baptisterium in Florence (c. 1337), by Ambrogio Lorenzetti in the Palazzo Publico in Siena (c. 1340) and by Andrea da Firenze in Santa Maria Novella in Florence (c. 1365). The convention of showing the heart point upward switches in the late 14th century and becomes rare in the first half of the 15th century.[7]\n\nThe \"scalloped\" shape of the now-familiar heart symbol, with a dent in its base, arises in the early 14th century, at first only lightly dented, as in the miniatures in Francesco Barberino's Documenti d'amore (before 1320). A slightly later example with a more pronounced dent is found in a manuscript from the Cistercian monastery in Brussels (MS 4459–70, fol 192v. Royal Library of Belgium). The convention of showing a dent at the base of the heart thus spread at about the same time as the convention of showing the heart with its point downward.[8] The modern indented red heart has been used on playing cards since the late 15th century.[9]\n\nVarious hypotheses attempted to connect the \"heart shape\" as it evolved in the Late Middle Ages with instances of the geometric shape in antiquity.[10] Such theories are modern, proposed from the 1960s onward, and they remain speculative, as no continuity between the supposed ancient predecessors and the late medieval tradition can be shown. Specific suggestions include: the shape of the seed of the silphium plant, used in ancient times as a(n) herbal contraceptive,[10][11] and stylized depictions of features of the human female body, such as the female's breasts, buttocks, pubic mound, or spread vulva.[12]","imageAlt":"3D printable model Lover Necklace Pendant 1","url":"https://www.cgtrader.com/3d-print-models/jewelry/pendant/lover-necklace-pendant-1","isCLDApplicable":false,"isSaleOffApplicable":true,"gaAttributes":{},"primaryImage":{"gridFallbackUrl":"https://media.cgtrader.com/variants/SwTvowPL3BxJq73E2X7Ezsya/a26e47dab5f2d22c43d6c5ce4b4b46ecc30c70918878397cba1a10c1e35d7bfc/1.jpg","gridUrl":"https://media.cgtrader.com/variants/SwTvowPL3BxJq73E2X7Ezsya/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/1.webp","gridCandidates":[{"url":"https://media.cgtrader.com/variants/SwTvowPL3BxJq73E2X7Ezsya/6a314ee64365e9a50cc847b264c0df438901d553e153606f3b641b8e48cb207e/1.webp","width":306},{"url":"https://media.cgtrader.com/variants/SwTvowPL3BxJq73E2X7Ezsya/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/1.webp","width":612},{"url":"https://media.cgtrader.com/variants/SwTvowPL3BxJq73E2X7Ezsya/fc2d80458320aed4ba722745705c02fa7f690497f6e3961b946cdf20c88a8c12/1.webp","width":918}],"isAdultContent":false},"modelInfo":{"modelUrl":"https://www.cgtrader.com/3d-print-models/jewelry/pendant/lover-necklace-pendant-1","isCgtVerified":false,"types":{"printReady":true,"animated":false,"pbr":false,"rigged":false,"lowPoly":false}},"metaverseFormatsList":[{"id":21,"name":".blend","is_native":true},{"id":5,"name":".fbx","is_native":false},{"id":12,"name":".obj","is_native":false},{"id":51,"name":".stl","is_native":false}],"categorySlug":"jewelry","subcategorySlug":"pendant","categoryTitle":"Jewelry","subcategoryTitle":"Pendants","schemaImageUrl":"https://img-new.cgtrader.com/items/2309925/b43012aa98/lover-necklace-pendant-1-3d-model-b43012aa98.webp","saleOffDiscount":30,"eligibleForSubscription":true,"subscriptionSubscribed":false,"subscriptionPotential":true,"subscriptionTierBand":"essentials"}},{"id":"5614925","type":"listingItem","attributes":{"id":5614925,"title":"Celtic Maeve Medb Outfit Dress Clothing","price":66.0,"description":"Celtic Maeve Medb Outfit Dress Clothing\n\nPhotoreallistic\n\n3K Texture\n\nPBR/GAMEREADY\n\nLOW-POLY\n\n\n\nThe name has been Anglicised as Maeve, Maev, Mave or Maiv\n\nMedb (Old Irish: [mʲeðv]), later spelled Meadhbh (Middle Irish: [mʲɛɣv]), Méabh(a) (Irish: [ˈmʲeːw(ə)]) and Méibh (Irish: [mʲeːvʲ]),[1] and often anglicised as Maeve (/meɪv/ MAYV), is queen of Connacht in the Ulster Cycle of Irish mythology. Her husband in the core stories of the cycle is Ailill mac Máta, although she had several husbands before him who were also kings of Connacht. She rules from Cruachan (now Rathcroghan, County Roscommon). She is the enemy (and former wife) of Conchobar mac Nessa, king of Ulster, and is best known for starting the Táin Bó Cúailnge (\"The Cattle Raid of Cooley\") to steal Ulster's prize stud bull Donn Cúailnge.\n\nMedb is strong-willed, ambitious, cunning and promiscuous, and is an archetypal warrior queen.[2] She is believed by some to be a manifestation of the sovereignty goddess.[3][4][5] Medb of Connacht is probably identical with Medb Lethderg, the sovereignty goddess of Tara.\n\nThe name has been Anglicised as Maeve, Maev, Mave or Maiv. There are several place names in Ireland containing the name Medb. According to Kay Muhr of the Ulster Place-Name Society, some of these names suggest Medb was also an earth and fertility goddess. They include Ballypitmave (Baile Phite Méabha, \"townland of Medb's vulva\") in County Antrim and Sawel Pitmave (Samhail Phite Méabha, \"likeness to Medb's vulva\")[6] in County Tyrone, both in northern Ulster. Other placenames include Maeve's Cairn in County Sligo, Barnavave (Bearna Mhéabha, \"Medb's gap\")[8] in County Louth, Boveva (Boith Mhéabha, \"Medb's huts\")[9] in County Londonderry, Knockmaa (Cnoc Meá, \"Medb's hill\") in County Galway, Meskanmave (Meascán Mhéabha, \"Medb's lump\")[10] in County Donegal, Milleen Meva (Millín Mhéabha, \"Medb's knoll\")[11] at Rathcroghan in County Roscommon, and Rath Meave at Tara in County Meath.","imageAlt":"Celtic Maeve Medb Outfit Dress Clothing 3D 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Daisy Flower Necklace Pendant 2","price":6.0,"description":"Love becomes a flower in this pendant necklace design, ready for 3Dprint and production.\n\nWIKI\n\nOrigins of symbol\nHeart-shaped peepal leaves were used in artistic depictions of the Indus Valley Civilisation: a heart pendant originated from there has been discovered and is now exhibited in Delhi national museum.[citation needed] In the 6th-5th century BC, the heart shape was used to represent the heart-shaped fruit of the plant Silphium,[1] a plant possibly used as a contraceptive.[2] Many species in the parsley family have estrogenic properties, and some, such as wild carrot, were used to induce abortion.[3] Silver coins from Cyrene of the 6–5th BC bear a similar design, sometimes accompanied by a silphium plant and is understood to represent its seed or fruit.[4]\n\nEarliest use\n\nThe earliest known possible visual depiction of a heart symbol, as a lover hands his heart to the beloved lady, in a manuscript of the Roman de la poire, mid-13th century.\nThe combination of the heart shape and its use within the heart metaphor developed at the end of the Middle Ages, although the shape has been used in many ancient epigraphy monuments and texts. With possible early examples or direct predecessors in the 13th to 14th century, the familiar symbol of the heart represented love developed in the 15th century, and became popular in Europe during the 16th.[5] Before the 14th century, the heart shape was not associated with the meaning of the heart metaphor. The geometric shape itself is found in much earlier sources, but in such instances does not depict a heart, but typically foliage: in examples from antiquity fig leaves, and in medieval iconography and heraldry typically the leaves of ivy and of the water-lily. One possible early use in the 11th century could be found in the manuscript, Al-Maqamat written by Al Hariri of Basra. The manuscript includes an illustration of a farewell greeting between two men while astride their camels, with the heart shape seen prominently over their heads.[6][not in citations given]\n\nThe first known depiction of a heart as a symbol of romantic love dates to the 1250s. It occurs in a miniature decorating a capital 'S' in a manuscript of the French Roman de la poire (National Library FR MS. 2086, plate 12). In the miniature a kneeling lover (or more precisely, an allegory of the lover's \"sweet gaze\" or douz regart) offers his heart to a damsel. The heart here resembles a pine cone (held \"upside down\", the point facing upward), in accord with medieval anatomical descriptions. However, in this miniature what suggests a heart shape is only the result of a lover's finger superimposed on an object; the full shape outline of the object is partly hidden, and therefore unknown. Moreover, the French title of the manuscript that features the miniature translates into \"Novel Of The Pear\" in English. Thus the heart shaped object would be a pear; the conclusion that a pear represents a heart is dubious. Opinions therefore differ over this being the first depiction of a heart as symbol of romantic love.[7] Giotto in his 1305 painting in the Scrovegni Chapel (Padua) shows an allegory of charity (caritas) handing her heart to Jesus Christ. This heart is also depicted in the pine cone shape based on anatomical descriptions of the day (still held \"upside down\"). Giotto's painting exerted considerable influence on later painters, and the motive of Caritas offering a heart is shown by Taddeo Gaddi in Santa Croce, by Andrea Pisano on the bronze door of the south porch of the Baptisterium in Florence (c. 1337), by Ambrogio Lorenzetti in the Palazzo Publico in Siena (c. 1340) and by Andrea da Firenze in Santa Maria Novella in Florence (c. 1365). The convention of showing the heart point upward switches in the late 14th century and becomes rare in the first half of the 15th century.[7]\n\nThe \"scalloped\" shape of the now-familiar heart symbol, with a dent in its base, arises in the early 14th century, at first only lightly dented, as in the miniatures in Francesco Barberino's Documenti d'amore (before 1320). A slightly later example with a more pronounced dent is found in a manuscript from the Cistercian monastery in Brussels (MS 4459–70, fol 192v. Royal Library of Belgium). The convention of showing a dent at the base of the heart thus spread at about the same time as the convention of showing the heart with its point downward.[8] The modern indented red heart has been used on playing cards since the late 15th century.[9]\n\nVarious hypotheses attempted to connect the \"heart shape\" as it evolved in the Late Middle Ages with instances of the geometric shape in antiquity.[10] Such theories are modern, proposed from the 1960s onward, and they remain speculative, as no continuity between the supposed ancient predecessors and the late medieval tradition can be shown. Specific suggestions include: the shape of the seed of the silphium plant, used in ancient times as a(n) herbal contraceptive,[10][11] and stylized depictions of features of the human female body, such as the female's breasts, buttocks, pubic mound, or spread vulva.[12]","imageAlt":"3D printable model Lover Daisy Flower Necklace Pendant","url":"https://www.cgtrader.com/3d-print-models/jewelry/pendant/lover-daisy-flower-necklace-pendant-2","isCLDApplicable":false,"isSaleOffApplicable":true,"gaAttributes":{},"primaryImage":{"gridFallbackUrl":"https://media.cgtrader.com/variants/Ep58a896pb8Z6TRKgjfPnukx/a26e47dab5f2d22c43d6c5ce4b4b46ecc30c70918878397cba1a10c1e35d7bfc/1.jpg","gridUrl":"https://media.cgtrader.com/variants/Ep58a896pb8Z6TRKgjfPnukx/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/1.webp","gridCandidates":[{"url":"https://media.cgtrader.com/variants/Ep58a896pb8Z6TRKgjfPnukx/6a314ee64365e9a50cc847b264c0df438901d553e153606f3b641b8e48cb207e/1.webp","width":306},{"url":"https://media.cgtrader.com/variants/Ep58a896pb8Z6TRKgjfPnukx/78add9c2f02fbd73a43ffb3970be38683c5f15eff6ca849dc78c644f4ff9ce1b/1.webp","width":612},{"url":"https://media.cgtrader.com/variants/Ep58a896pb8Z6TRKgjfPnukx/fc2d80458320aed4ba722745705c02fa7f690497f6e3961b946cdf20c88a8c12/1.webp","width":918}],"isAdultContent":false},"modelInfo":{"modelUrl":"https://www.cgtrader.com/3d-print-models/jewelry/pendant/lover-daisy-flower-necklace-pendant-2","isCgtVerified":false,"types":{"printReady":true,"animated":false,"pbr":false,"rigged":false,"lowPoly":false}},"metaverseFormatsList":[{"id":21,"name":".blend","is_native":true},{"id":5,"name":".fbx","is_native":false},{"id":12,"name":".obj","is_native":false},{"id":51,"name":".stl","is_native":false}],"categorySlug":"jewelry","subcategorySlug":"pendant","categoryTitle":"Jewelry","subcategoryTitle":"Pendants","schemaImageUrl":"https://img-new.cgtrader.com/items/2309964/217af4f843/lover-daisy-flower-necklace-pendant-2-3d-model-217af4f843.webp","saleOffDiscount":30,"eligibleForSubscription":true,"subscriptionSubscribed":false,"subscriptionPotential":true,"subscriptionTierBand":"essentials"}},{"id":"2309979","type":"listingItem","attributes":{"id":2309979,"title":"Lover Sufi Flower Necklace Pendant 3","price":8.0,"description":"Lover symbol became a universal love Sufi mode, ready for 3dprint and production.\n\nOrigins of symbol\nHeart-shaped peepal leaves were used in artistic depictions of the Indus Valley Civilisation: a heart pendant originated from there has been discovered and is now exhibited in Delhi national museum.[citation needed] In the 6th-5th century BC, the heart shape was used to represent the heart-shaped fruit of the plant Silphium,[1] a plant possibly used as a contraceptive.[2] Many species in the parsley family have estrogenic properties, and some, such as wild carrot, were used to induce abortion.[3] Silver coins from Cyrene of the 6–5th BC bear a similar design, sometimes accompanied by a silphium plant and is understood to represent its seed or fruit.[4]\n\nEarliest use\n\nThe earliest known possible visual depiction of a heart symbol, as a lover hands his heart to the beloved lady, in a manuscript of the Roman de la poire, mid-13th century.\nThe combination of the heart shape and its use within the heart metaphor developed at the end of the Middle Ages, although the shape has been used in many ancient epigraphy monuments and texts. With possible early examples or direct predecessors in the 13th to 14th century, the familiar symbol of the heart represented love developed in the 15th century, and became popular in Europe during the 16th.[5] Before the 14th century, the heart shape was not associated with the meaning of the heart metaphor. The geometric shape itself is found in much earlier sources, but in such instances does not depict a heart, but typically foliage: in examples from antiquity fig leaves, and in medieval iconography and heraldry typically the leaves of ivy and of the water-lily. One possible early use in the 11th century could be found in the manuscript, Al-Maqamat written by Al Hariri of Basra. The manuscript includes an illustration of a farewell greeting between two men while astride their camels, with the heart shape seen prominently over their heads.[6][not in citations given]\n\nThe first known depiction of a heart as a symbol of romantic love dates to the 1250s. It occurs in a miniature decorating a capital 'S' in a manuscript of the French Roman de la poire (National Library FR MS. 2086, plate 12). In the miniature a kneeling lover (or more precisely, an allegory of the lover's \"sweet gaze\" or douz regart) offers his heart to a damsel. The heart here resembles a pine cone (held \"upside down\", the point facing upward), in accord with medieval anatomical descriptions. However, in this miniature what suggests a heart shape is only the result of a lover's finger superimposed on an object; the full shape outline of the object is partly hidden, and therefore unknown. Moreover, the French title of the manuscript that features the miniature translates into \"Novel Of The Pear\" in English. Thus the heart shaped object would be a pear; the conclusion that a pear represents a heart is dubious. Opinions therefore differ over this being the first depiction of a heart as symbol of romantic love.[7] Giotto in his 1305 painting in the Scrovegni Chapel (Padua) shows an allegory of charity (caritas) handing her heart to Jesus Christ. This heart is also depicted in the pine cone shape based on anatomical descriptions of the day (still held \"upside down\"). Giotto's painting exerted considerable influence on later painters, and the motive of Caritas offering a heart is shown by Taddeo Gaddi in Santa Croce, by Andrea Pisano on the bronze door of the south porch of the Baptisterium in Florence (c. 1337), by Ambrogio Lorenzetti in the Palazzo Publico in Siena (c. 1340) and by Andrea da Firenze in Santa Maria Novella in Florence (c. 1365). The convention of showing the heart point upward switches in the late 14th century and becomes rare in the first half of the 15th century.[7]\n\nThe \"scalloped\" shape of the now-familiar heart symbol, with a dent in its base, arises in the early 14th century, at first only lightly dented, as in the miniatures in Francesco Barberino's Documenti d'amore (before 1320). A slightly later example with a more pronounced dent is found in a manuscript from the Cistercian monastery in Brussels (MS 4459–70, fol 192v. Royal Library of Belgium). The convention of showing a dent at the base of the heart thus spread at about the same time as the convention of showing the heart with its point downward.[8] The modern indented red heart has been used on playing cards since the late 15th century.[9]\n\nVarious hypotheses attempted to connect the \"heart shape\" as it evolved in the Late Middle Ages with instances of the geometric shape in antiquity.[10] Such theories are modern, proposed from the 1960s onward, and they remain speculative, as no continuity between the supposed ancient predecessors and the late medieval tradition can be shown. 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With possible early examples or direct predecessors in the 13th to 14th century, the familiar symbol of the heart represented love developed in the 15th century, and became popular in Europe during the 16th.[5] Before the 14th century, the heart shape was not associated with the meaning of the heart metaphor. The geometric shape itself is found in much earlier sources, but in such instances does not depict a heart, but typically foliage: in examples from antiquity fig leaves, and in medieval iconography and heraldry typically the leaves of ivy and of the water-lily. One possible early use in the 11th century could be found in the manuscript, Al-Maqamat written by Al Hariri of Basra. The manuscript includes an illustration of a farewell greeting between two men while astride their camels, with the heart shape seen prominently over their heads.[6][not in citations given]\n\nThe first known depiction of a heart as a symbol of romantic love dates to the 1250s. It occurs in a miniature decorating a capital 'S' in a manuscript of the French Roman de la poire (National Library FR MS. 2086, plate 12). In the miniature a kneeling lover (or more precisely, an allegory of the lover's \"sweet gaze\" or douz regart) offers his heart to a damsel. The heart here resembles a pine cone (held \"upside down\", the point facing upward), in accord with medieval anatomical descriptions. However, in this miniature what suggests a heart shape is only the result of a lover's finger superimposed on an object; the full shape outline of the object is partly hidden, and therefore unknown. Moreover, the French title of the manuscript that features the miniature translates into \"Novel Of The Pear\" in English. Thus the heart shaped object would be a pear; the conclusion that a pear represents a heart is dubious. Opinions therefore differ over this being the first depiction of a heart as symbol of romantic love.[7] Giotto in his 1305 painting in the Scrovegni Chapel (Padua) shows an allegory of charity (caritas) handing her heart to Jesus Christ. This heart is also depicted in the pine cone shape based on anatomical descriptions of the day (still held \"upside down\"). Giotto's painting exerted considerable influence on later painters, and the motive of Caritas offering a heart is shown by Taddeo Gaddi in Santa Croce, by Andrea Pisano on the bronze door of the south porch of the Baptisterium in Florence (c. 1337), by Ambrogio Lorenzetti in the Palazzo Publico in Siena (c. 1340) and by Andrea da Firenze in Santa Maria Novella in Florence (c. 1365). 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The convention of showing a dent at the base of the heart thus spread at about the same time as the convention of showing the heart with its point downward.[8] The modern indented red heart has been used on playing cards since the late 15th century.[9]\n\nVarious hypotheses attempted to connect the \"heart shape\" as it evolved in the Late Middle Ages with instances of the geometric shape in antiquity.[10] Such theories are modern, proposed from the 1960s onward, and they remain speculative, as no continuity between the supposed ancient predecessors and the late medieval tradition can be shown. 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