###Close-up of the decoration combination of silent wind utensils
On the low walnut cabinet in the corner, a group of silent wind decorations whisper time under the warm light. The rough pottery vase is made of gray-black clay by hand. Dry silver willow branches are inserted at the crooked part of the bottle mouth. The cracked ice patterns on the glaze are like chaps of ancient paintings; the metal candlestick next to it is forged from oxide brass, and the spiral pillars are solidified with wax tears, and the matte glass candle cup exudes a faint warm light. Hand-made thread-bound books are stacked into a booth, with dry ferns pressed between the yellowed paper pages, and the hemp thread exposed on the spine echoes the rough texture of the pottery pen wash. The pen wash contains half a pool of clear water and a few pieces of ink floating leaves. The glass flower ware adopts an ancient blowing process. The air bubbles and water ripple paths sway under the light. The obliquely inserted Nantian bamboo red fruits form a contrast between warm and cold with the dark gray pottery jar. A miniature dry landscape sand table is hung on the metal grid frame. The rake marks on the white sand and the rust on the wrought iron blade decorations together tell the beauty of defects. The whole set of utensils is made of the simplicity of clay, the rust of metal, and the transparency of glass. The withered vegetation builds a three-dimensional poem of silence aesthetics in the gray space.